someonetowatchoveryou: (just a bit ooc)
2016-09-17 04:43 am

Permissions + HMD

To make a long entry short, folks can pretty much do whatever they want to him other than fourth-walling. I am literally game for anything other than that because I'm a shameless CR whore. Any violence or torture one could come up with has probably already been done to someone, somewhere, on Fringe, and possibly to September, himself. It's a pretty gory show. Go ahead and read his mind, I look forward to writing his brainscape. And feel free to do positive things to him, too, because I want to write him outside his comfort zone as much as possible. Poke him, touch him, hug him, kiss him, try to seduce him, I'm game.

On the other hand, I should state that Observers are telepaths and sort-of timeline-readers, in that they sense all of time simultaneously. They also practice what's known as predictive calculation, which means they can predict the outcome of an event by use of mathematics. Let me know if there's anything you want or don't want him to know. They will ping as telepaths and as time-sensitive to anyone who can sense this, whether they sense it through technology or native psionic ability or magic.

All of these abilities (plus the ability to fold space-time psionically) come from an extensive wetware network in his brain, originating from a two and a half, maybe three inch long implant at the base of the skull.

ETA: Observers are always there for significant events. Furthermore, September has a rather un-Observer-like tendency to interfere by rescuing folks or engineering events. If you'd like him to do that, just hit me up!

Also, here's where you can post HMD-type-things. Tell me how I'm doing. ^.^

(Sorry, but I've turned off anonymous commenting for this post.)
someonetowatchoveryou: (staaaare)
2015-11-14 02:37 am

Physical/sensory info + RP kink list

Height: 5'8"
Weight: 180
Build: slim
Eye colour: hazel
Apparent age: mid-late 30s

Scent: Pepper, ink, wool, soap, the outdoors, technology. Pulse point scent is less musky than typical human male.
Apparent temperature: slightly warmer than human normal.
Sexual Orientation: Bisexual with hetero leanings.

Details:

Close to, his scent is obvious but not overwhelming, and he appears meticulously clean. He is completely hairless save for eyelashes, and his skin, while exceedingly fair, has the slight peach tone of decent health. His breath usually smells like Altoids. Cinnamon ones. Or occasionally wintergreen. His clothing is of obscenely high thread count and very smooth to the touch. His skin is also very soft and smooth, the kind that belongs to people who stay indoors and do not engage in any rough work. Despite that, he appears to be in very good shape, fit but not overly muscular. Lean.

Despite his 27th-century origins, his internal and external anatomy matches that of a normal human male, save for complete hairlessness. All internal organs are consistent with human norm, save for the brain, which carries an extensive spread of wetware originating from a three-inch-long implant attached to the brain stem. Blood is identical to human norm save for the presence of antibodies against archaic illnesses such as Spanish flu.
Kink List )
someonetowatchoveryou: (not here)
2015-11-04 04:00 am

IC MESSAGE BOX

Ring.

Ring.

Ring.

Ring.

Click.

"The person you have dialled at [insert string of slowly and deliberately-read numbers here] cannot be reached at this time. Please leave your name, number, and a brief message after the tone."

BEEP.
someonetowatchoveryou: (tender)
2014-10-01 04:29 am

[Boomtown PSL. Off-game.]

September has a space in the Turkish Bath all set up the way he figures folks like it for a massage or something more. The light is dim and warm, provided mainly by candles and a few lamps in corners, casting a soft, faintly orange glow over the walls and furnishings. Said furnishings consist of a few tables on which various tools and bottles sit and the massage table--an almost bedlike construction, cushioned and scented with sandalwood for maximum comfort. Somewhere in the room, a tiny fountain trickles softly to itself. The air is warm and vaguely redolent with incense. A recording of quiet, ethereal music plays quietly in another corner.

And there he sits on a small, simple folding stool, waiting for the next person to come in. He's wearing a loose tunic and trousers in off-white and his feet are bare. Never let it be said he doesn't dress the part, nowadays.
someonetowatchoveryou: (Default)
2014-08-18 08:23 pm

Boomtown Drabble Challenge Meme

(25 Drabbles) TABLE SET #1
#01 - Strength #02 - Music #03 - Cold #04 - Lies #05 - Talent
#06 - Heart #07 - Fire #08 - Nervous #09 - Blue #10 - Friendship
#11 - Forever #12 - Late #13 - Moment #14 - Forget #15 - Scream
#16 - Passion #17 - Alone #18 - Fear #19 - Courage #20 - Wait
#21 - Writer's Choice #22 - Writer's Choice #23 - Writer's Choice #24 - Writer's Choice #25 - Writer's Choice
someonetowatchoveryou: (just a bit ooc)
2014-02-27 10:45 pm

application for Boomtown

Player's Name: I'm Yume!
Are you over 16? Oh dear lord, I'm old.
Characters Played Here: None, so far.

Character: The Observer/September (he has no other name in canon)
Series/Canon: Fringe
From When? S4, after the Episode "A Short Story About Love" but before "Brave New World."

History:
Observers in general

September in particular

Personality:
(Some of the information here is garnered from a print media source titled Fringe: September's Notebook, which I have been led to believe is considered canon by the show's creators.) On the surface, it would appear as though September has no personality. His manner is uniformly expressionless, and he evidences no easily discernible reactions. His speech is inflectionless and somewhat stilted, and conversations with him are brief and to the point. Emotional reactions on the part of other people evoke, at the most, a kind of detached curiosity.

However, curiosity is the key to looking beneath the surface of his psyche. The emotionlessness of Observerkind is, in part, a culturally ingrained trait. That it is also achieved through neural manipulation is not insurmountable when it comes to change given the sheer amount of system redundancy in the human brain, coupled with the fact that their technology has achieved a kind of neurogenesis, with the formation of additional gyri facilitating the creation of additional neural pathways. In short, the brain tissue is intact and, in fact, increased, which only serves to augment the aforementioned system redundancy. This system redundancy has been shown to repeatedly facilitate the return of previously lost brain function. What this means, of course, is that, given the proper stimulus, it is entirely possible for an Observer to regain emotional function. In fact, it could be argued that it was never fully excised in the first place, merely hidden. For September, that stimulus was curiosity. The remit of the scientific team of which he is a member is to witness significant events in history in an impartial manner. This is something September could not do. His curiosity overrode his impartiality and he became involved. This led to further involvement in order to course-correct the timestream, and over the course of this involvement, his curiosity shifted from the event to the people involved in the event.

In fine, he wanted to know what love was.

Over the course of the series, he witnesses what love can do--romantic love and familial love. He sees a man literally tear a hole in the universe to rescue an alternate of his son. He sees a woman contact her dead lover in a series of dreams. He sees a family form out of diverse individuals who ordinarily would not have any contact with each other were it not for the events surrounding them. He sees one of his own colleagues fall in love and suffer and die for that fact. He sees love literally bring back into being someone who had been obliterated from reality. And through that curiosity, wanting to know what love is, why it is capable of such drastic good and evil, and through his involvement, he starts to develop the beginnings of compassion, sorrow, and wonder. He starts to see the people he has been observing as perhaps family to him, as well. Interacting with them has eroded his impartiality. He wants to protect them, now.

What does that mean for him in the present? It means that he now has to work to remain impartial, and that emotions may broadside him at any moment. He clings to emotionlessness and impartiality as a constant. Beneath the expressionless exterior, however, his psyche is divided between the cool, logical, somewhat Machiavellian Observer who tows the line of noninterference unless it preserves the timeline; and the compassionate, brave, and fragile human who has found a family and found that he is more loyal to them than to his own people.

September is terrifyingly intelligent, sharp-eyed, and intuitive, yet completely at sea when it comes to interaction; he can read thoughts but emotions can mislead him; he lives in the big picture, and yet the smallest things can throw him off entirely. He has started to doubt the orders he has received from his superiors--preservation of events has revealed itself to him as being something distressingly subjective. Furthermore, he has found he does not agree with the viewpoint that said subjectivity favours.

Up to this canon point, he has scarcely been touched in any capacity. He is completely unaccustomed to gestures of compassion, and when it did happen in canon he was understandably confused by it.


Why do you think your character would work in this setting?
Maybe they need Observer technology or an emotionless, intelligent viewpoint or someone who can survive outside the dome for indefinite periods. September is not particularly satisfied with being an Observer at this point in his canon. He'll take up the offer, mainly because his curiosity about a new planet will override any sense of responsibility for his mission. He remains confident that he can go back in time to the day he left Earth once he's done, after all.

Inventory:
One (1) briefcase containing the following: one (1) pair of what appear to be vintage field glasses, Dietz-Hagen, 25x25 m/m, which contain advanced surveillance technology. One (1) device resembling an early-00s slide-type mobile phone, which contains advanced GPS and intertemporal communications technology, marked with unknown typography and a set of four indicator lights--three green and one red. One (1) pistol-type energy firearm, nonlethal. One (1) power cell for abovementioned firearm. One (1) case, translucent plastic, containing fifteen (15) two-inch diameter data storage discs. One (1) leather-bound blankbook, 70% filled with handwritten text in ideograms resembling typography on communications device. One (1) terry cloth towel, grey, 30inx20in. One silver metal box, 7inx7inx4in containing one (1) pair of standard sunglasses; three (3) ballpoint pens, black ink; one (1) black leather sheath containing one (1) multitool marked "Leatherman"; one (1) coil of string measuring seventeen (17) inches; one (1) toothbrush still in packaging; one (1) tube of mint toothpaste, unopened.

Clearly this man is a master at Tetris.


Third-Person Sample:
September's first go at comforting someone works surprisingly well.

September's fighting tactics, such as they are. He's stoic as all getout but still not the toughest of people.

September when confronted by officials relying on magic and, furthermore, disparaging science.

And just for shits and giggles, here's the test drive.

First-Person Sample:
He doesn't talk much, so I have two samples here.
someonetowatchoveryou: (look into his altogether too pretty eyes)
2013-11-14 02:08 am

General off-comm musebox for fabula(e)_victoriana

September's comings and goings are almost predictable. He spends most of the day and evening out of the House, exploring the town, Observing significant events, sitting quietly in cafes and people-watching, or (recently) wandering and lost in thought.

Of a night, he can be found in one of the studies, reading and sipping wine and looking far too relaxed. If he doesn't fall asleep there, he sleeps in his small but cozy bedroom, buried under blankets on an insanely comfortable bed.

He never appears to object to company, no matter what he's doing.
someonetowatchoveryou: (something to say)
2013-11-08 01:09 am

Unadulterated RP sap

((Reposting and kind of AU continuation of the post made here, on fabula(e)_victoriana))


Had the boarding house ever received so many bouquets and arrangements of flowers? They’re all addressed to the same recipient, as well: ‘The Gentleman Without Hair.’ Maybe someday he’ll tell this person his name and put an end to these awkward address labels. They start out with the typical well-wishing blooms, a few ‘thinking of you’ arrangements, and slowly become filled with delicate purple and pink flowers proclaiming burgeoning feelings of affection or, dare we say it, even love.


Every time these flowers and plants are delivered, he calmly brings them to his room until finally his end of that hallway starts smelling like a florist’s shoppe. He has carefully recorded all of them—what kinds of flowers, how many, when they were sent, et cetera. He’s discovered, somewhere along the line, that this is a form of nonverbal communication. It fascinates him that someone he scarcely knows would be sending protestations of love.


Then again, he barely interacted with the people he observed and yet he’d come to love them. Perhaps he was being observed.


Love fascinates him, after all. It’s such a multifaceted thing that he suspects he could spend the rest of his life studying it and never fully understand it. Its energy is so vast that it can even affect physics—merge universes, bring back people who were supposedly obliterated from existence, change memories. It could influence people to tear holes in time and space, awaken abilities, and even cause one to abandon one’s entire way of life, betray one’s people. It can heal and it can harm, make a person live or kill them.


Occasionally these realizations steal his breath and leave him a trifle dizzy. He assumes it’s just the lingering weariness from an entire month of lycanthropy, not to mention the encounter with that… whatever it was… on Halloween night. Without his peoples’ technology, he will have to recover naturally, which takes time.


It leaves him with a lot of opportunity for introspection.


He usually does his introspecting in a private manner, spending hours on end walking alone or reading everything he can find on social interactions and taking copious notes. He doesn’t quite know how to phrase any questions he might have, let alone who he might ask them of. So he does his solitary research and thinking and no-one is any the wiser.


Until now.


In the latest batch of flowers, he’s received a note asking him in a very roundabout manner to meet this person at the café on her day off. He has no idea what to do. He cannot conceive of what he might say or do if he met with her… but he knows that if he does not do so, it will be taken as an insult.


He paces up and down slowly, his expressionless gaze distant, the note in his hand. But anyone who knows him would swear he was agitated.


The day wears on and eventually he leaves the house, making his way down the street and through the town in his usual quiet, unobtrusive manner. People wouldn’t really suspect anything was wrong just by looking at him, and the person he is meeting certainly doesn’t appear to suspect anything, either.


He steps inside the café, removing his hat, like he always does. When they spot each other, her face lights up. He has no idea how to react to that. However, he does cross the room and slip himself into the chair on the other side of the table from her, placing his hat on the table.


“Hello, Mary.” His head tilts to the side instinctively. “You wished to see me.”


“Yes,” she answers. “I do, and I’m glad you came.” Her gaze drops and he can tell that she’s thinking. Her hands are clasped on the table like his are, but are not as still as his are. She looks up at him again. “I…” she starts, and then stops, looking for the words again.


He cannot say he’s a stranger to this kind of reaction, but he has no idea how to encourage her to speak her mind. Still, he knows that he’ll have to do this, given the society that she’s grown up in. His head tilts again. “What is it you wish to say?” he asks softly.


Her cheeks flush. “I… shouldn’t ask, but I want to know… why you’ve never told me your name.”


He blinks. It’s simply never occurred to him to volunteer the information, and she hasn’t directly asked. Until, that is, now, with her hands fidgeting and her eyes watching him.


“I am called September,” he murmurs, and it occurs to him that he really should come up with a pseudonym… for… his pseudonym. His eyes find hers again and he can tell she’s puzzled by the answer. “It is… a designation that was given to me.”


Her gaze turns warm and somewhat sad. He’s seen this look on peoples’ faces before. She is… saddened by what she’s heard. Poor man. Maybe he was an orphan, he hears. He can’t bring herself to correct that assumption, seeing as the truth would be too outlandish for people of this era to process without thinking he was completely insane and interfering with his observation.


He gaze drops again and a shy smile crosses her features. “It’s… a lovely month. September. I think it suits you.”


“How so?” he asks curiously.


“Spring months are full of violent weather and summer months are overbearing and uncomfortable. But the early autumn is… quiet and warm and… gentle. And a little bit sad. It knows all things die.” Her hand moves forward and covers his.


He gives the smallest of gasps at the touch, sensing… everything. Her fingers are warm against his and he senses her reaction to his touch, that his fingers feel gentle and warm and somehow right. She wants to leave this place with him and find somewhere quiet that they might talk, but it is unthinkable for her to ask him—such things are not allowed. So she hopes that she communicates this intent nonverbally.


A strange wave of warm dizziness washes over him, creating a small, coiled tightness in his chest that he somehow knows is not from illness. Is it… emotion? He takes a deep breath, attempting to dispel that sensation. He is curious to know what she wants to speak with him about in a quieter place. “I suspect… this conversation may be better conducted somewhere quieter,” he murmurs and the smile that crosses her face is less shy, now.


“I’d be delighted, Mister September,” she answers. “I know just the place, if you’ll come with me.”


Despite this being a very nineteenth-century town, no-one appears to even bat an eye at the concept of the two leaving the café and walking off together. There’s no whispering, no disapproving gazes, no running off to spread the gossip. He’s suspected that Mary is not exactly a paragon of Victorian propriety, and this only cements the idea. She’s headstrong. Independent. She had, at one point, mentioned not having any family after her parents died a few years ago.


The thought that she is alone does not occur to him any time soon, though, not even when she impulsively loops her arm around his. He does notice, however, another moment of quivering warmth in his chest, and picks up that she is realizing that he feels good, whatever that means. He nearly misses one of his objectives, but stops just in time.


She looks at him, puzzled. “Are you all right, Mister September?”


He gently disentangles himself. “Please wait here,” he says quietly, and turns, walking briskly through the door of the florist’s that he’d stopped so abruptly in front of. While inside perusing flowers, he happens to look out the window and sees her standing right where he left her, her hands behind her back, rocking a bit on her heels and biting her lower lip. He wonders vaguely what that means. The shopkeeper, on the other hand, knows exactly what it means and begins suggesting item after item after item. He gets a blank stare from the Observer in question but eventually September does make a purchase and steps back out again.


Silently, he hands her what he bought: a small group of purple and gold pansies, a spray of blue love-in-the-mist, a single salmon-pink kennedia. She takes the small bouquet carefully, her head tilting in a manner very similar to his. A smile crosses her face. “Thank you,” she whispers, and slips her arm around his again.


It seems as though his attempt is a success, but that does not calm the jittery feeling of his insides twitching, nor the sweat on his palms and face, nor the ringing in his ears. She does the navigating, gently steering him down the street and out of the town proper, into a rather pretty wooded area still clinging to a bit of verdure. Moss clings to the trees like whimsical brushstrokes and multicoloured leaves still hang from the branches. Grass pokes up from the crunchy brown carpet on the forest floor. Mary looks up at September and smiles.


“This is my favourite time to go to the forest,” she says, her soft voice still audible over the crunching of the leaves under their feet. “There’s a balance between life and death here that I find poignant. It always reminds me how grateful I am to be alive.” She stops and disentangles herself, opting to take his hands in hers, instead. “And how grateful I am to be alive with someone like you.”


Between the contact of her hands in his and of looking into her eyes, her thoughts hit him in a giddy rush. In that instant he learns more about her personality than anyone could in a lifetime of conversation—her hopes and fears, the warmth of her gentle soul… it causes his chest and throat to tighten up, tingling at the corners of the jaw. He swallows.


Her expression changes. “Are you ill?” she asks.


“I…” He stops, words having fled. She leads him to a large glacial stone that looks as though a great many people have taken advantage of the fact that it is the exact right height and size to serve as a bench and sits, gently pulling him down beside her. Once he is there, she rests a hand on his shoulder.


“I am not… ill….” He manages to say. Her head tilts, so like his often does. “I… my… thoughts are… conflicted,” he continues, “and that has created… a physical response that I… do not understand.”


She looks forward for a beat, gazing out into the trees, silence surrounding both of them, and when she looks back at him, her gaze dropping for a moment, she smiles slightly. “You’re unaccustomed to emotion, aren’t you?” she asks tenderly.


“Yes,” he answers.


There’s a beat as she lifts her hand, curled in a loose fist, and then reaches toward him, placing it against his chest, fingers spreading. It’s warm and gentle there. He blinks, looking into her eyes again. The notion that he feels good flits through her mind again before she schools her thoughts.


“It feels strange, doesn’t it?” she asks. “Your heart is pounding, I can feel it. You’re trembling. You feel as though you can’t breathe properly. You feel as though you’re going to faint.”


“Yes,” he whispers.


“So do I.” Her eyes are wide, pupils slightly dilated, and locked with his. “I can’t fathom why I’ve fallen for you, sir, but… I can’t fathom not having done so, now. I feel as though I know you completely, that these few moments have been a lifetime.”


He takes a breath to speak and she places the forefinger of her other hand against his lips.


“It’s terribly improper of me,” she says. “But Papa always told me that propriety is for those without a thought in their head or a dream in their heart.” The hand moves to the side of his face, fingers brushing against his cheek and ear before the palm settles around his jawline. He shivers—he’s never been touched like this before. Her other hand is still on his chest, as though attempting to calm his racing pulse and heavy breaths. A sensation like slow voltage wicks through his skin at her touch and he is so warm as to feel almost fevered.


“I know you weren’t born here,” she murmurs, “though I don’t know where you’re from. I’ve seen a lot of the visitors from other places and you’re… unique.” She draws closer, the hand staying on his chest as though to keep him in place. She removes the other hand from his face and gently takes one of his hands. “I couldn’t take my eyes off of you ever since the first time I saw you. I could just tell… yours is an old and wise and kind soul. It’s in your eyes. And I wanted to tell you this with words, because the only other way to tell you is…” She trails off, trembling as well. “Is….”


He blinks and realizes that they are only a couple inches apart. Her nearness and its energy make his throat dry up and his stomach flutter. He wonders why people subject themselves to such sensations. His system is flooded with adrenaline and yet he has absolutely no intention of fighting or fleeing. His fingers curl around hers.


Impulsively, she leans in the rest of the way and gently, tenderly, presses her lips to his. His eyes go wide for an instant, but only for an instant as something warm uncoils in his chest. They stay there and his gaze goes unfocussed, eyes slipping shut. He has no idea what to do, where to put his hands, and they waver slowly and aimlessly for a moment, her right hand still in his left, before his right hand comes up and covers hers on his chest. Another beat passes.


They pull away slowly. His eyes flick open again and he sees her smiling up at him, her cheeks scarlet. His pulse is no longer racing, and his breathing is still heavy but slow, now.


“You’re a little calmer, at least,” she says softly, her smile tender. “Perhaps I could kiss away your fear.”


His mouth opens but words fail him. Such a thing should not be possible and yet… and yet… the physical evidence is there. He looks down at her hand on his chest and his hand laid over hers. He was afraid, he realizes that, now. And the simple touch of her lips turned that fear into warmth. He blinks a few times, analyzing the sensation. Endorphins. He is awash in adrenaline and endorphins and suddenly he does know why humans do these things despite the fight-or-flight reaction. The rapid changes in brain chemistry are very like Walter’s descriptions of ‘being high.’ He knows these things intellectually, recognizes the cause and effect, cross-references that with the idea of pleasure.


He wonders what would happen if they did that again. Her hand slips upward from his chest to the back of his neck and as she pulls him toward her, he leans in ever so slightly. Her fingers trace along the back of his head as her lips press, soft and heated, against his. Even though he remains very still, she can feel him melting ever so slightly. This much warmth has never been this pleasant before, he notes. These thoughts swirl into each other until they can both feel what the other is feeling, if only for a moment.


When they pull away again, she slips an arm around him. He remains silent, but his own arm curls around her almost of its own accord. They let the silence cover them.
someonetowatchoveryou: (Default)
2013-09-29 10:07 pm

Rekindle app

http://rekindlemods.dreamwidth.org/2059.html

OOC Information

Player Name: Yume

Player Age: 38

Player Contact: Plurk: memorylikeasieve

Player/Character HMD: http://someonetowatchoveryou.dreamwidth.org/399.html

Other characters in game: None

IC Information

Character Name: The Observer / September (he has no other name in canon.)

Character Canon: Fringe [OU]

Character Age/Gender: Apparent age: early/mid thirties. Chronological age... about... 100 or so. Gender: male.

Canon Point: Around the end of S4.

Character Canon History: Observers in general

September specifically


Character Personality: (Some of the information here is garnered from a print media source titled Fringe: September's Notebook, which I have been led to believe is considered canon by the show's creators.) On the surface, it would appear as though September has no personality. His manner is uniformly expressionless, and he evidences no easily discernible reactions. His speech is inflectionless and somewhat stilted, and conversations with him are brief and to the point. Emotional reactions on the part of other people evoke, at the most, a kind of detached curiosity.

However, curiosity is the key to looking beneath the surface of his psyche. The emotionlessness of Observerkind is, in part, a culturally ingrained trait. That it is also achieved through neural manipulation is not insurmountable when it comes to change given the sheer amount of system redundancy in the human brain, coupled with the fact that their technology has achieved a kind of neurogenesis, with the formation of additional gyri facilitating the creation of additional neural pathways. In short, the brain tissue is intact and, in fact, increased, which only serves to augment the aforementioned system redundancy. This system redundancy has been shown to repeatedly facilitate the return of previously lost brain function. What this means, of course, is that, given the proper stimulus, it is entirely possible for an Observer to regain emotional function. In fact, it could be argued that it was never fully excised in the first place, merely hidden. For September, that stimulus was curiosity. The remit of Observerkind is to witness significant events in history in an impartial manner. This is something September could not do. His curiosity overrode his impartiality and he became involved. This led to further involvement in order to course-correct the timestream, and over the course of this involvement, his curiosity shifted from the event to the people involved in the event.

In fine, he wanted to know what love was.

Over the course of the series, he witnesses what love can do--romantic love and familial love. He sees a man literally tear a hole in the universe to rescue an alternate of his son. He sees a family form out of diverse individuals who ordinarily would not have any contact with each other were it not for the events surrounding them. He sees one of his own colleagues fall in love and suffer and die for that fact. He sees love literally bring back into being someone who had been obliterated from reality. And through that curiosity, wanting to know what love is, why it is capable of such drastic good and evil, and his involvement, he starts to develop the beginnings of compassion, sorrow, and wonder. He starts to see the people he has been observing as perhaps family to him, as well. Interacting with them has eroded his impartiality.

What does that mean for him in the present? It means that he now has to work to remain impartial, and that emotions may broadside him at any moment. He clings to emotionlessness and impartiality as a constant. Beneath the expressionless exterior, however, his psyche is divided between the cool, logical, somewhat Machiavellian Observer who tows the line of noninterference unless it preserves the timeline; and the compassionate, brave, and fragile human who has found a family and found that he is more loyal to them than to his own people. He is terrifyingly intelligent, sharp-eyed, and intuitive, yet completely at sea when it comes to interaction; he can read thoughts but emotions can mislead him; he lives in the big picture, and yet the smallest things can throw him off entirely. He has started to doubt his mission and the remit of his own people--preservation of events has revealed itself to him as being something distressingly subjective.

Up to this canon point, he has scarcely been touched in any capacity. He is completely unaccustomed to gestures of compassion, and when it did happen in canon he was understandably confused by it.

AU Information: N/A

Character Abilities: As an Observer (that is, an evolved human from the 27th century) September is capable of a great many psionic feats. The genetic manipulation of their brains has, in effect, made their nervous systems compatible with wetware technology. It is the technology that is responsible for their abilities. It augments the visual cortex so that they are literally able to see time in its non-linear entirety (a bit like 'wibbly wobbly timey wimey') and, furthermore, move instantaneously anywhere in time and space that they can visualise (or that they can 'lock onto' by use of space-time beacons), and to move faster than the human eye can see--not through actual superfast motion but through bending time. It gives them the ability to read the surface thoughts of the human mind and to, with effort, probe deeper if necessary. It also gives them the ability of a kind of precognition through calculation, the capacity to predict outcomes through probabilities. Removing this implant will deprive him of all of these abilities, and of senses that he has had for his entire life.

It is worthy of note, however, that he does not often use these abilities. He has seen no need to read anything more than surface thoughts, and only moves in hyperattenuated time in self-defence. However, he takes his ability to go anywhere in time and space for granted.

Character Inventory:
-One (1) black-leather-bound notebook, filled 3/4 of the way with pages and pages and pages of incomprehensible glyphs. Photos and clippings of important events are stuffed into it, as well as the occasional sketch, ticket stub or note in someone else's handwriting. These appear to be from a variety of times and places.
-One (1) analogue pocketwatch, battery-powered, apparently normal.
-One (1) set of folding field glasses, marked "25x25 m/m". Opening them and looking through them reveals advanced surveillance technology.
-One (1) device that resembles a cross between a mobile flip-phone and a GPS, labelled with the same kind of glyphs as found in the book.
-One (1) firearm, the size of a small pistol. Relatively featureless. Firing it reveals it to be a kind of plasma weapon. Nonlethal.
-One (1) wallet, holding no cards or identification but a collection of paper currency from a variety of times and places.
-Various and sundry writing implements, a tin of Altoids, a few lengths of string, a thing that looks like a power source for the gun, and several coins, again from a variety of times and places.

Samples:

"He feels no emotion. Perhaps no pain. This won't upset him."

But September did feel pain. And it did upset him. It had taken all the discipline he could muster not to cry out as the bullet pierced not only his hand but his chest, driving itself into his lung. There was a popping sensation near where the bullet had hit, a shifting, and suddenly breathing became very difficult. Every attempt at breath pulled at his throat.

His eyes glazed over and he saw Olivia move through time with a speed even the fastest of Observers could never muster but the impact of it failed to register in his mind, even as she deflected the bullets, throwing them back, rather than merely catching them. Sounds came to him in muffled squawks until he blinked and saw that Olivia and Peter now stood around him, asking questions, shouting into a phone... The pain was receding and he noticed, dully, that he was sliding into shock. It surprised a small part of his mind that he could remark so coherently on the concept that Stasis Runes should not even be known to anyone in this century. A puzzle... he wondered if he'd live to figure it out.

And then, as though a switch had been thrown, the force binding him upright and immobile cut out and his knees buckled. Looking down, he saw that the Stasis Rune had been disrupted by the simple expedient of scratching away part of the symbol. Without that energy trapping his movements and dulling his senses, dizziness and nausea pounded over him and pain returned. He hurt terribly. His gaze wavered and his eyelids drooped and all he wanted to do was rest... No, he didn't know where Walter was. He... what? He found himself staring blankly at Olivia and her mention of knowing how he'd gotten shot... his warning to her...

Things slid slowly, grudgingly into focus. This warning was in her past, but clearly in his future. He had much more left to do, it seemed. He heard himself murmuring a thought on that concept.

Cold sweat had formed, and his throat felt thick and gluey. He could lie down right here and die and he wouldn't mind... but he dared not. There lay an unanchored event in his future that had to be fixed in spacetime, the decoherence resolved.

And yet... even past the concerns of temporal mechanics... he knew now that he will have warned Olivia of her future because he could not stand idly by any more. He, September, was... concerned... for her safety. For all of their safety. Maybe it was the effect of the gunshot, but he felt his impartiality, already cracked, slowly come apart. The safety and well-being of this small group--no, family--had become more important to him than his mission, than the laws of his own people, and there was no turning back.

He took a deep breath as best he could and pulled himself to his feet, and didn't look back as he walked away, slipping into time again. He didn't need to.

In which emotions broadside him.

In which he discovers what comforting someone involves.